The White Lotus and Thailand: A Rising Star in Film Production

“The White Lotus” is filming its third season in Thailand, showcasing beautiful locations and attracting attention to the country’s film industry. In 2024, Thailand hosted 490 productions, the highest since before the pandemic. The Thailand Film Office reports a surge in interest, aided by financial incentives and picturesque landscapes. Overall, Thailand is poised to become a leading destination for international filmmakers in the years to come.

The acclaimed television series “The White Lotus” continues to generate excitement among audiences, featuring a new season set in Thailand, primarily shooting at the Four Seasons in Koh Samui and Anantara Mai Khao in Phuket. Not only do actors such as Parker Posey and Walton Goggins enhance the show’s charm, but its stunning location in Southeast Asia is also a major attraction. This season marks a shift from previous locations in Hawaii and Italy.

In 2024, Thailand has emerged as a significant filming destination, hosting 490 film and television productions, the highest volume since before the pandemic. Notable projects include Netflix’s “The Night Agent” and FX’s “Alien: Earth,” both utilizing Bangkok as a backdrop. Universal’s upcoming film “Jurassic World Rebirth” will showcase various locations across Thailand including Krabi and Chiang Mai.

The Thailand Film Office acknowledges that the pandemic was a pivotal moment for the country, which saw many projects continue to operate when the global industry suffered setbacks. “The pandemic is our key turning point,” states Supatana Sakpiyaphan, a tourism development officer. This strategic response attracted production attention to Thailand, as filmmakers discovered the potential the country offers.

Thailand’s scenic landscapes, from picturesque beaches to mountainous terrains, along with the support from the Thai Tourism Office, have facilitated a conducive environment for filmmakers. Additionally, the financial incentives have become increasingly appealing, with rebates increasing from 20% to 30%, making Thailand a cost-effective choice for foreign projects.

Rebates are structured based on spending levels, with potential refunds reaching up to 25% for expenditures of 150 million Thai baht (approximately $4.3 million). Additional benefits include 5% rebates for employing Thai nationals and 3% for specific filming locations. These incentives have prompted discussions with the Motion Picture Association of America (MPAA), indicating a promising future for Thailand as a film hub.

Sakpiyaphan highlights the importance of enjoying the experience while filming, encouraging visitors to take advantage of Thailand’s offerings. “We say Thailand is the best destination for your ‘workation,’” she emphasizes, making clear that work can coexist with leisure in this vibrant country.

In summary, “The White Lotus” showcases Thailand’s stunning locales while illustrating the nation’s resurgence as a prime filming destination post-pandemic. With increasing productions and generous financial incentives, Thailand is establishing itself as a go-to location for international filmmakers. The collaborative efforts of local agencies and the emphasis on balancing work with leisure further enhance the appeal of this beautiful country. As the film industry flourishes, it becomes clear that Thailand is ready to welcome more global productions with open arms.

Original Source: variety.com